25 YEARS IN THE SERVICE OF ROMANIAN HERITAGE AND COMMUNITIES
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The Project ”Enescu Festival – cultual-musical explorations and exercises” has started!
In order to better know the location of George Enescu’s House and its surroundings, we proposed to start to start the exercise of mapping craftsmen and local resources around the house between July 1-4, 2020. Two teams patrolled for four days within a radius of approximately 50-60 km around the architectural object to sketch the story around Mihăileni.
The route was based on maps of existing craftsmen online https://hartamesterilorconstructii.ro/ și https://www.hartamestesugarilor.ro/,valuable and rich information collected from ethnographic museums and tourist information centres in the area and clues provided by the locals themselves. The abundance of craftsmen in these places forced us to make a forced selection of field visits and to keep the research tracks open for other times.
We managed to visit 25 craftsmen and we got acquainted with the cultural differences and similarities of Bucovina and Moldova on foot through villages and cities or through museum research.
Even if the theme of this project is limited to research, our ideas for future collaborations have already started having met such skilled craftsmen and from such varied areas.
In the marathon experience of field research I met: blacksmiths, weavers, sculptors and carpenters, stonemasons, skinners, glassmakers and weavers. As in the research at Câmpulung Muscel in Argeş County, around Villa Golescu, we were impressed by both the joys and the hardships of each craft.
We hope the preservation and re-adaptation of all these traditions will someday be the object of a future Honest Goods collection from George Enescu’s House in Mihăileni and to incite as many people as possible to access the existing human and cultural resources nearby.
We would like to thank the craftsmen for lodging us and for their stories, as well as the volunteers, Ruxandra Sacaliș and Ana Luiza Simion without whom we would not have been able to find out so many things.
“The Enescu House Festival – cultural-musical explorations and exercises” is one of Pro Patrimonio’s cultural projects co-financed by AFCN. The project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or how the project results can be used. These are entirely the responsibility of the beneficiary of the funding.
This summer the restoration of George Enescu’s House in Mihăileni is completed and we are preparing the opening of its gates to the community and curious people outside with educational activities and thematic cultural events that will be realized with the support of AFCN and the UiPath Foundation. These are meant to bring the house back to life in the context of today and to help an audience as diverse as possible be aware of the house’s cultural value and its potential to redefine itself in contemporary, through its musical-memorial and architectural value, but also through the opportunity it being set around important natural and human resources
We want to lay the foundations of a long-term educational heritage and music program. The project called “Enescu House Festival – cultural-musical explorations and exercises” uses the experience from four years of Heritage Education workshops that we conducted around other heritage objectives – Perticari-Davila Mansion, Neamțu Mansion and Golescu Villa – which we constantly take care of. Elements from the guide “Education for Heritage” (http://bit.ly/GhidEducatiePentruPatrimoniu) written at the end of last year are incorporated into this program while elements dedicated to music, specific to the place, are also introduced. The whole approach is completed by a specific research of the local resources whose primary aims are materials, crafts, sounds and stories of the area.
This year’s campaign will run for a cumulative period of about three weeks this summer between July and September. It will include: a research and a creative mapping of the cultural resources of the place, an educational caravan for heritage that will place children in a practical and playful way in the roles of heritage specialists (urban planner, architect, historian and landscaper) , film and animation workshops, a DIY surprise workshop, the challenge of creating and caring for a small garden at Casa Enescu, movie nights in the community and a festive event, along with an online exhibition of the project, addressed to a very wide public range, which gathers the accumulated research and creative experiments and sparks people’s interest in the work and life of George Enescu, in the context of celebrating this day and the international marking of the Beethoven year.
“The Enescu House Festival – cultural-musical explorations and exercises” is one of Pro Patrimonio’s cultural projects co-financed by AFCN. The project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or how the project results can be used. These are entirely the responsibility of the beneficiary of the funding.
UiPath Foundation is a partner of Pro Patrimonio Foundation in the program “The Academy of Music and Education for Children” which takes place from February 2020 at the House of George Enescu in Mihăileni.
Argument
Our projects for heritage education have focused from the beginning on the consolidation of a lasting relationship between a community and the cultural elements of value in its immediate vicinity through a more or less structured series of workshops and events dedicated to young audiences.
During the last 3 years, the communities of children around Neamțu Manor, Olari, Perticari-Davila Manor, Izvoru and Golescu Village, Câmpulung-Muscel, have benefited from constant activities that investigated the local material and immaterial heritage through games, models, hands-on workshops, crafts, exhibitions or film screenings in the community.
Through the project “EDUCATION FOR HERITAGE” this year we managed to structure, transform and enrich in a structured heritage program our meetings and workshops organized so far.
Through the project “EDUCATION FOR HERITAGE” this year we managed to structure, transform and enrich in a structured heritage program our meetings and workshops organized so far
In each of the 3 communities, it included 4 hands-on workshops playing the role of field specialists: urban planner, architect, landscape designer, artist or craftsman and a final meeting, dedicated to the whole community, with animation and cinema workshops adapted to local stories, constructive adventures, culinary contests, movie evenings and even camping at the manor.
Who is it for?
The guide “Heritage Education” gathers all this experience and even completes the activities with new challenges. This is a structured proposal for introducing children to the world of heritage and for a more in-depth exploration of the built and natural cultural values and the crafts in the area where the courses take place. It is an initiative that aims to connect the community to local resources and the practical and creative activation of the space it inhabits.
How do you use it?
The proposed activities and programs invite children to explore the surrounding universe by playing the part of different specialists and integrating different ideas into 1: 1 scale projects in their community. They can be integrated throughout the school year, can be the subject of the school week A Different Kind of School, can be thought of as holiday activities or freely integrated into any desired program.
Why is it necessary?
The segment Education for Heritage addressed to young people has emerged as a direct consequence of the need for community involvement in the projects of restoration and activation of the built heritage carried out by the foundation in various places in the country.
We hope that this guide will best respond to the needs and curiosities of children and provide real help in as many of the communities where development is desired in direct relation to local cultural values.
“Education for Heritage” is an open publication available online, an incipient form of a possible future course to be implemented as an optional in the school curriculum, which awaits suggestions and improvement advice from users.
The guide can be downloaded directly from the Pro Patrimonio Foundation Online Library:http://bit.ly/GhidEducatiePentruPatrimoniu
Former Concordia Hotel in Bucharest, a Forgotten Place in Modern Romanian History
Pro Patrimonio Foundation and the Bucharest Branch of the Order of Architects in Romania together with intellectuals and cultural institutions drew attention through a public campaign sustained annually since 2013 to the state of degradation the former Concordia Hotel Hotel in Bucharest is sin, the place where on 23 January 1959, Alexandru Ioan Cuza was elected president of Wallachia after having been elected president of Moldova on 5 January. The 1852 building included on the list of historical monuments of Bucharest 2010 under no. 2025, code LMI B-II-m-B-19708, is a private property and in an advanced state of ruin despite the numerous efforts of recent years made by the civil society, intellectuals, artists, journalists and architects.
In 2013 architect Şerban Sturdza underlined that the civil society is directly responsible for the fate of buildings and historical areas because they are our common inheritance, so we can’t stand by and wait for problems to fix themselves. “The people who represent the Municipality must be forced in a direct but not discreet manner to do their job, and with regard to the Historic Center, the work is not finished simply because we can go there during the summer and have a beer at the terraces on the buildings’ ground floor. This glitter of civilization relates only to pleasure and to a dose of irresponsibility, because, in parallel, efforts necessary to keep these buildings standing are not being made. This matter of the protection of historic buildings is a big lie. We protect the area, but no house is protected, it’s absurd “he declared.
More details here: http://adevarul.ro/news/bucuresti/foto-hotel-concordia-cladirea—s-a-pecetluit-unirea-principatelorsalvata-flacari-ingropata-ignoranta-1_50ffafb6aa73e8e04b3427a6/index.html
At the request of Pro.Do.Mo. Asociația and Pro Patrimonio Foundation, in 2016 the international organization World Monuments Fund nominated Bucharest among the world’s most endangered historical sites. The WMF chooses sites and heritage objectives that have international urban value and has been interested in saving worldwide architectural and cultural heritage for over 50 years.
The capital of Romania has been nominated for the category “Historic Center in Danger” on the 2016 World Monuments Watch list due to demolition or abandonment of heritage buildings, uncontrolled development and destructive rehabilitation interventions. As a result, the city has been included in a monitoring program regarding public policies for heritage protection. The imminent risk of a massive earthquake jeopardizes most of the city’s heritage buildings.
On 3 March 2017, Watch Day 2017 focused on a call to action for the Capital, facing imminent threats and challenges from the perspective of heritage vulnerability and seismic risk. The event had two components: Watch Day – Vulnerable Bucharest – Debate. Book Launch and Watch Night – Vulnerable Bucharest, informal meeting – Book launch, movies and experiences..
Bucharest, the European capital with the highest seismic risk, abounds, especially in its central area, in buildings with a grade I seismic risk, which implies an imminent collapse at the first major earthquake. In the case of an earthquake like the one in 1977, today’s Bucharest would lose a large number of modernist blockhouses and nineteenth-century houses that sheltering thousands of people today. The human, material and city losses would be major (see http://blog.seismic-alert.ro/).
As an example, Magheru Boulevard is itself an archive of modernist buildings with an internationally recognized cultural and architectural value. 15 historical monument buildings, 9 buildings with a class I seismic, 5 buildings with a class II seismic, 65,000 sqm of built environment in danger, 150,000 sqm area in danger, 2000+ inhabitants, 5000+ people in daily transit are figures that outline the current situation of boulevard.
Here’s an awareness-raising film made by Pro Patrimonio Foundation, World Monuments Fund and Association Pro.Do.Mo.:
World Monuments Watch is a global program launched in 1996 aiming to attract international attention to cultural heritage sites around the world. The program provides an opportunity for nominated sites to raise public awareness, promote local participation, encourage innovation and collaboration, and highlight alternative solutions.
Watch Day 2017 – Vulnerable Bucharest was organized by the Romanian Center for Innovation in Local Development (Centrul Român pentru Inovație în Dezvoltare Locală)), MKBT: Make Better, the Order of Architects in Romania – Bucharest Branch, with initiators Pro.Do.Mo and Pro Patrimonio.
At the end of 2010, Bucharest City Hall decided to start works for the North-South Diameter, based on the Local Urban Plan for the Buzeşti-Berzei-Uranus Diameter. The demolitions have brought back painful memories to the inhabitants of Bucharest, especially through the way they were implemented (executed at night, without dismantling the valuable pieces to be reused fully or as materials, with the evacuation of the inhabitants in winter). The prerequisites for the project were fluency and increase of car traffic transit without the analysis of the consequences on the overall mobility, ignoring the complex reality of life and living in the neighborhood.
The Matache area, in the center of Bucharest, has undergone dramatic and radical changes that have left their mark on the community leaving its neighborhood and heart, the historical monument Matache Hall (demolished overnight on 25 March 2013), in a state of social and economic disintegration. Civil society actions against the demolition of historical monuments drew attention to the need to regenerate and integrate the project, to modernize streets with more complex projects aiming to revitalize urban and social tissue.
Currently, the area is abandoned by the administration and looks as a huge unhealed wound.
Pro Patrimonio Foundation has been involved in rescuing the area and Matache Hall, and suggested hands-on solutions for urban regeneration and dialogue with the administration. Two witness-lines were born.
The first is the volume Who is afraid of the Matache neighborhood? Principles of urban regeneration for the Matache area – North Railway Station in Bucharest (Pro Patrimonio 2012), a manifest book, a project book, a book witness to a concentrated urban activism phenomenon, that imagines that anyone can have an initiative and suggest solutions for neighborhoods and cities. At the time of the book’s release, February 2012, the North-South Diameter operation seemed to be far from over and there was hope for Hala Matache to remain standing (unfortunately, it would be demolished on 25 March 2013). The volume created by Mirela Duculescu was awarded the ex aequo national prize for the book section, the National Architecture Biennial 2012.
The full text of the book is available here: Matache link
The second direction is the 2016 documentary film by Dragoș Lumpan Matache. Berzei-Buzeşti ,based on an dense material. Changes in the area are captured in filming, timelapse, and photos taken between 2010 and 2016. The film includes interviews with architects, urban planners, anthropologists, and representatives of the civil society, residents and merchants in the area, former mayor of Bucharest, Sorin Oprescu, and archive images. The film provides an objective perspective on a specific urban tissue, and is an example and case study for other cities facing similar situations. The film benefited from the financial support of the National Cultural Fund Administration and received the AFCN Award for Innovation in the Promotion of Architectural Heritage in 2016.
Follow this link for news about the film and project (work in progress) Platforma Matache.
Another tour of workshops for children held at the manors looked after by Pro Patrimonio – Perticari- Davila Manor in Izvoru village, Neamțu Manor in Olari village and Golescu villa in Câmpulung – has come to an end. This second tour was coordinated by our generous Andreea Machidon supported by dedicated and special volunteers. For the very first time, we would like to thank one of the mothers, Daniela Marchidan, who has worked with patience and care with the children as well as with her 10-year old son. They have helped not only in the organization, but also in the process of creating objects. We also give our warm thanks to the extremely creative and fun Isabella Madauna, architecture student.
The theme of this tour around the manors was getting close to and understanding nature and natural elements by means of observation and reinterpreted drawing. The teams of children from the three manors managed to paint botanical elements on lunch-box type pouches suitable for gatehring plants, leaves or nuts and which will soon be on sale. They also designed their own pencil-case type minipouches for school which they personalized using the stamp technique after having made their ow FIMO stamps.
They managed to create an adorable series of colourful agendas using a simple method of book binding. These are to be their private agendas with modules they can change by themselves once they run out of clean pages. A very useful instrument for their future creative development is the notion of font that they found out about and which they exercised on their new agendas. The work was done outside in Neamțu Manor and Golescu Villa, the children fully enjoying nature, while at Izvoru the workshop took place inside the canteen rebuilt during the former workshops.
Tour of the Manors is the second from the series this year and is part of a more ample Pro Patrimonio Foundation project, Education for Heritage undergo this year under the umbrella of the European Year of Cultural Heritage #EuropeForCulture, #EYCH2018
Semințe de conac (Mansion seeds) is a project that involves collaboration between Pro Patrimonio and the children from Izvoru Commune, Arges County. Together we try to design a place for creative activities and others in the Perticari Davila Mannor Complex dedicated to the entire community.
Pro Patrimonio developed an itinerant project that announces the coming of winter holidays through a series of creative and educational workshops for children in communities bordering the mansions and monuments where they operate: Neamţu Mansion from Olari, Perticari-Davila Mansion from Izvoru and Villa Golescu from Câmpulung.
As a result, under the guidance of architect Andreea Machidon, the children made a limited collection of handmade objects that are found annually at the Christmas Fair of the Verona Bookstore in Bucharest. And in 2017, the Christmas decorations made by the children from Izvoru during the activities organized by Pro Patrimonio for the preservation and bringing to light of the Perticari Mansion were available at the bookstore Cărturești in Bucharest. They have been purchased at the price of a donation that goes to support the Foundation’s projects.
Under the coordination of Pro Patrimonio Foundation and with the help of volunteers, a series of events took place between 2015-2016: exhibitions about the history and cultural value of the Perticari-Davila Estate, film screenings, games, discussions, creative-educational workshops, exhibition of the Perticari family, drawing activities, sports and first aid courses, etc. Much of this has occurred in the basement of the small mansion where the Izvoru community has attended events.
In 2016, Pro Patrimonio also got involved in the school program Școala Altfel: at our architecture course we drew our own homes, investigated local materials, and created the model of our colleague’s house using the resources available in Izvoru. The dance course has raised much interest and curiosity among both the younger and the elder.
